Installation
Performance
Photographie
Interdisciplinary
Video
their fantasies are between socks and plastic
3D
gems
Exhibitions view
MOTHER OF THE SON OF GOD
"They call me a virgin but I can handle it," she says.
Defined by her role subject to male figures, the Virgin Mary is a model of purity, untouchable, "without stain", a representation of what the ideal woman should be who heals the sins of the unfortunate Eve. In moving away from this absurd perfection, we reappropriate this biblical figure placed on a pedestal, but at the same time confined to her role as mother, greatly forgotten in her own femininity. Far from her distorted and impenetrated figure, she gives birth, in pain, lives her life as a bachelor, mourns (or not), and recounts her experiences with undisguised nonchalance, in the same way as a modern-day diva. At once magnified as a star, and sometimes revealed in her most natural way, our Virgin Mary becomes the illustration of daily life and feminine intimacy. For in our eyes, the "Mother of the Son of God" is first and foremost a woman.
in collaboration with Emeline Courcier
MOTHER OF THE SON OF GOD
"They call me a virgin but I can handle it," she says.
Defined by her role subject to male figures, the Virgin Mary is a model of purity, untouchable, "without stain", a representation of what the ideal woman should be who heals the sins of the unfortunate Eve. In moving away from this absurd perfection, we reappropriate this biblical figure placed on a pedestal, but at the same time confined to her role as mother, greatly forgotten in her own femininity. Far from her distorted and impenetrated figure, she gives birth, in pain, lives her life as a bachelor, mourns (or not), and recounts her experiences with undisguised nonchalance, in the same way as a modern-day diva. At once magnified as a star, and sometimes revealed in her most natural way, our Virgin Mary becomes the illustration of daily life and feminine intimacy. For in our eyes, the "Mother of the Son of God" is first and foremost a woman.
in collaboration with Emeline Courcier